After 10 hours /played, i dinged level 20 with my Discipline Priestess in World of Warcraft. I find that to be quite quick while at the same time it doesn’t feel quick. That’s not to say i’m not having fun- i do, unexpectedly much to be honest. Maybe it is the new progression with the new talent system and the avoidance of “button bloat”- you level up, but you don’t get to use talent points or gain a new ability each level.
First goal reached! Nuria Solstrum, Nord Templar of the Aldmeri Dominion professing a strange combination of skills & armor, is now level 30 in Elder Scrolls Online. And it only took about two months to get from 25 to 30.
So i’m in this dreaded mid-level range now- it’s rare for me to see the end of the leveling process in MMOs, mainly because i think the mid-game is so terrible in most of them that i’d rather start a new character- and the mid-level range sucks the fun out of my experience , so i take a break, only to return and not remember anything, and take that as an excuse to create a new character.
This time, it feels different, though, as i think i’m enjoying the game more and more- sure, there’s some dedication needed on my part to keep going- i’d say this resembles the connection you have to an acquaintance- you’re not friends yet, but you might be at some point- but stop calling or meeting up and you’ll stay acquaintances.
Nuria didn’t need to do much to go from level 28 to 30 in two sessions- all she had to do was to get the birthday cake, go to Silatar, navigate a labyrinth, make Aranias the new Wilderqueen and pick two flowers on the way, track a thief in Marbruk, go to Woodhearth and catch/kill a bee. All in all, not too much- and again, very interesting. I wanted to take a determined look at that, but i think there’s actually very few “kill x of y” quests in Elder Scrolls Online. I think there are some, but mostly, killing stuff is just what you do to reach other goals.
I liked the “Artisan” quest- you have to catch a thief, after all. Unfortunately, the correct answer has a pointer over his or her head, so you could stumble upon the solution by accident (it’s not marked on the map though), but what you have to do is gather a few clues about the identity of this thief by asking citizens what they know, deduct the thief’s identity and then confront him or her. It’s a nice little riddle, although the clues paint a quite clear picture with only one hint being slightly misleading. It’s not The Secret World level of thought you’ll need here, but it’s a nice touch, nonetheless.
The labyrinth / maze was also very nice- what you get here is the story of the Wilderking by way of a stone being named Sumiril. He’s got a book there, probably telling the story of its creation, but he isn’t sure if he wants to know what’s written in the book. So you take the book, and read it passage after passage. The passages are unlocked by way of traversing the labyrinth. Again, unfortunately, there is a pointer- you “follow the words” (kind of like that creepy tune you follow in TSW’s kingsmouth) which is essentially a glow leading the way. You’ll reach platforms and a new passage in the book will become readable. Afterwards, you know how both Sumiril and the Wilderking came into being.
Aranias, meanwhile, goes for the Wilderking. Turns out she’s actually destined to become his successor and she feels that. Unfortunately, her companion wants to kill both her and the Wilderking. So Nuria killed him, of course. Aranias will then be a bit afraid to turn into the Wilderqueen, but with the support and encouragement of her friend Nuria, she’ll do it. I also liked that the story we were experiencing on Silatar seemed to be a almost forgotten but still present memory in her mind.
The travel to Woodhearth and the killing of the bee were standard affairs- although one has to crouch to follow the bee to its hiding place. But that’s just so little of a touch that, with this game, it doesn’t really deserve mention.
I am very optimistic that the next five levels won’t take her two months.